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The Yale Alumni Magazine is owned and operated by Yale Alumni Publications, Inc., a nonprofit corporation independent of Yale University. The content of the magazine and its website is the responsibility of the editors and does not necessarily reflect the views of Yale or its officers. |
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One from the Lost Generation Gerald Murphy (1888–1964) graduated from Yale in 1912 and promptly joined the family business. But after several uneasy years of working for his father at the Mark Cross Company, Gerald decided that a life in leather goods lacked meaning. So, with his wife Sara, he went to Paris. There the couple joined a glittering avant-garde creative community, and at Villa America, their home in the Riviera, Pablo Picasso, F. Scott Fitzgerald, Cole Porter, and Ernest Hemingway were among their friends. In 1921, Gerald discovered modern art. “If this is painting,” he said, “this is what I want to do.”
Murphy, largely self-taught, painted Bibliotheque, above, during 1926–27. Like most of his work, it is both “autobiographical and full of ambiguities,” says Amy Torbert, a curator of a recent exhibition at the University Art Gallery called “Making It New: The Art and Style of Sara and Gerald Murphy.” (The painting is part of the gallery’s permanent collection.) “Bibliotheque is a recollection of his father's library, but none of the books have titles, the maps don’t have state and country names, and the glass of the magnifying glass is opaque. This may represent the struggles he had with his father.” Gerald eventually overcame them. After the stock
market crash, he moved his family back to the States, abandoned art—his total
output was only 13 oil paintings—and went back to Mark Cross, which he ran
until the mid-1950s. |
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©1992–2012, Yale Alumni Publications, Inc. All rights reserved. Yale Alumni Magazine, P.O. Box 1905, New Haven, CT 06509-1905, USA. yam@yale.edu |
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